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This album is dedicated to the perhaps-not-so-fictional Amelia, a 19th century composer, contemporary of Chopin and Liszt. Read her letter, here, and listen to her nocturne, below. |
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30 Second Sample |
Complete Piece |
Score* |
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1. theme and variations + |
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2. pieces for piano and flute (1) □ |
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3. pieces for piano and flute (2) □ |
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4. pieces for piano op.2 no.2 + |
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5. pieces for piano op.2 no.3 + |
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6. pieces for piano op.2 no.4 + |
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7. pieces for piano op.2 no.5 + |
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8. pieces for piano, violin, and two voices ○ ● |
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9. untitled ○ |
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10. stillwood (1) ○ |
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11. stillwood (2) ○ |
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12. piece for piano and vocalise ^ ■ |
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13. sonata - I largo + |
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| 14. sonata - II rubato + |
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| 15. sonata - III andante + |
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16. etude ^ |
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17. fugue ^ |
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18. minuet ○ |
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19. pieces for piano op.3 no.1○ |
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| 20. pieces for piano op.3 no.2 ○ |
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| 21. Amelia’s Nocturne ○ |
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| two-part invention (bonus track) |
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sonatina (bonus track) |
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waltz (bonus track) |
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* Scores will eventually be converted to Finale and posted; in the meantime, contact the composer for a clear, handwritten copy.
Actual CDs also available for purchase [$15 + $3 shipping]: contact chris wind
piano - + R. J. Fleck, ^ Marion Haggart, □ Steven Sauvé, ○ Peg Tittle, flute - Catherine Coombs violin - Linda Drennen voice - ■ Cilla Dale, ● Peg Tittle
all composition and production – chris wind all pieces registered by PROCAN cw10FA © chris wind 1991
cover drawing – Mandi Gerland
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